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Getty Images, Inc., stylized as gettyimages, is a visual media company, with headquarters in Seattle, Washington, United States. It is a supplier of stock images, editorial photography, video and music for business and consumers with an archive of over 200 million assets. It targets three markets—creative professionals (advertising and graphic design), the media (print and online publishing), and corporate (in-house design, marketing and communication departments). Getty has distribution offices around the world and capitalizes on the Internet for distribution. As Getty has acquired other older photo agencies and archives, it has digitized their collections, enabling online distribution. Getty Images operates a large commercial website that clients use to search and browse for images, purchase usage rights, and download images. Image prices vary according to resolution and type of rights. Cost-per-image is typically around US$500. The company also offers custom photo services for corporate clients. History
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Look up images in Wiktionary, the free dictionary. Images may refer to: Image Imagery Places The Images (Tasmania), set of rocky islets off Tasmania Music Classical Images (Debussy compositions for solo piano) (1901–1907), a cycle of six compositions for solo piano by Claude Debussy Images pour orchestre (1905–1912), an orchestral composition by Claude Debussy Images (Skempton), a set of piano pieces by Howard Skempton Popular music Images (band), French synth-pop band Image song, a song related to a fictional work, sung in-character Albums Images (Sarah Vaughan album), 1954 Images (Sonny Red album), 1962 Images (The Walker Brothers album), 1967 Images (Cilla Black album), 1971 Images (Dan Hartman album), 1976 Images (Lucio Battisti album), 1977 Images (Brotherhood of Man album), 1977 Images (Don Williams album), 1978 Images (Ronnie Milsap album), 1979 Images (Amii Stewart album), 1981 Images (Ralph Moore album), 1989 Images – The Best of Jean Michel Jarre,
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Altered Images were an early 1980s Scottish new wave/post-punk band. Fronted by singer Clare Grogan, the band branched into mainstream pop music, having six UK top 40 hit singles and three top 30 albums between 1981 and 1983.[1] Their hits included "Happy Birthday", "I Could Be Happy", "See Those Eyes", and "Don't Talk to Me About Love". History Early career Former schoolmates with a shared interest in the UK post-punk scene, Clare Grogan (vocals), Gerard "Caesar" McNulty (guitar), Michael "Tich" Anderson (drums), Tony McDaid (guitar), and Johnny McElhone (bass guitar), sent a demo tape to Siouxsie and the Banshees, who soon gave the band a support slot on their Kaleidoscope tour of 1980. The band's name referred to a sleeve design on the Buzzcocks' single "Promises", and was inspired by Buzzcocks vocalist Pete Shelley's constant interfering with the initial sleeve designs.[2] After being championed by BBC Radio 1 DJ John Peel, for whom they recorded a radio session in October 1980,[3] they garnered enough
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Images is a 1972 British-American psychological horror film written and directed by Robert Altman and starring Susannah York and René Auberjonois. The picture follows an unstable children's author who finds herself engulfed in apparitions and hallucinations while staying at her remote vacation home. Conceived by Altman in the mid-1960s, Images secured financing in 1971 by Hemdale Film Group Ltd., and shot on location in County Wicklow, Ireland in the fall of that year. The script, which had been sparsely composed by Altman, was collaboratively developed further throughout the shoot with the actors. Images premiered at the 25th Cannes Film Festival, where York won the award for Best Actress, after which it was released theatrically in the United States by Columbia Pictures on December 18, 1972. Its theatrical run in the United States was short-lived, and the film received little promotion from Hemdale in the United Kingdom. Critical reception of the film was mixed, with some critics praising York's performan
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The Treachery of Images (French: La Trahison des images) is a 1929 painting by surrealist painter René Magritte. It is also known as This is Not a Pipe[2] and The Wind and the Song.[3] Magritte painted it when he was 30 years old. It is on display at the Los Angeles County Museum of Art.[1] The painting shows a pipe. Below it, Magritte painted, "Ceci n'est pas une pipe", French for "This is not a pipe". The famous pipe. How people reproached me for it! And yet, could you stuff my pipe? No, it's just a representation, is it not? So if I had written on my picture "This is a pipe", I'd have been lying! — René Magritte[4] The theme of pipes with the text "Ceci n'est pas une pipe" is extended in Les Mots et Les Images,[5] La Clé des Songes,[6] Ceci n'est pas une pipe (L'air et la chanson),[7] The Tune and Also the Words,[8] Ceci n’est pas une pomme,[9] and Les Deux Mystères.[10] The painting is sometimes given as an example of meta message conveyed by paralanguage,[11] like Alfred Korzybski's "The word is
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Images and Words is the second studio album by American progressive metal band Dream Theater, released on July 7, 1992 through ATCO Records. It is the first Dream Theater release to feature James LaBrie on vocals. Since its release, the album has maintained its position as the band's most commercially successful studio album, and the song "Pull Me Under" has the distinction of being the only Top 10 hit (radio or otherwise) the band has had to date. This particular song has also had more recent success as it has appeared in the 2008 video game Guitar Hero World Tour. History After Charlie Dominici's departure from Dream Theater, the band auditioned nearly 200 individuals across the nation, until James LaBrie, who at that point was part of Canadian glam metal band Winter Rose, sent the band an audition tape. After a short jam session, he was named Dream Theater's new lead singer, and has remained with them ever since. With LaBrie as the new vocalist, the band was signed to a seven-album contract by ATCO Reco
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Images pour orchestre, L. 122, is an orchestral composition in three sections by Claude Debussy, written between 1905 and 1912. Debussy had originally intended this set of Images as a two-piano sequel to the first set of Images for solo piano, as described in a letter to his publisher Durand as of September 1905. However, by March 1906, in another letter to Durand, he had begun to think of arranging the work for orchestra rather than two pianos.[1] Scoring Images pour orchestre is scored for a large orchestra consisting of 2 piccolos, 3 flutes, 2 oboes, oboe d'amour, cor anglaise, 3 clarinets, bass clarinet, 3 bassoons, contrabassoon, 4 horns and 4 trumpets (in C), 3 trombones, tuba, timpani, snare drum, tambourine, castanets, 2 harps, celesta, triangle, xylophone, cymbals, 3 bells, violins I, II, violas, celli, and contrabasses. Sections I. Gigues (1909–1912) The original title of Gigues was Gigues tristes. Debussy used his memories of England as inspiration for the music, in addition to the song "Danso
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Images in Vogue is a Canadian new wave group formed in 1981 in Vancouver. It originally consisted of vocalist Dale Martindale, guitarist Don Gordon (later of Numb), synth players Joe Vizvary and Glen Nelson, bassist Gary Smith, and percussionist Kevin Crompton (better known as cEvin Key). The band's manager was Kim Clarke Champniss, who later became a MuchMusic VJ.[1] History 1980–1991: Formation and Canadian popularity The band released four EPs before their full-length debut, 1985's In the House. Their first notable chart hit was "Lust for Love", from the 1983 self-titled EP. The EP reached No. 97 on the Canadian albums chart.[2] Gordon left the band in 1984, and was replaced by Ed Shaw.[1] Their debut album, 1985's In the House reached No. 85 on the Canadian albums chart.[3] Their song "In the House" won the 1986 CASBY Award for Single of the Year, with the band named Group of the Year.[4] Crompton left Images in Vogue in 1986, indicating that the band's "new romantic" sound was too commercial for his
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Mental Images GmbH (stylized as mental images) was a German computer generated imagery (CGI) software firm based in Berlin, Germany, and was acquired by NVIDIA in 2007, then rebranded as NVIDIA Advanced Rendering Center (ARC), and is still providing similar products and technology. The company provides rendering and 3D modeling technology for entertainment, computer-aided design, scientific visualization and architecture. The company was founded by the physicists and computer scientists Rolf Herken, Hans-Christian Hege, Robert Hödicke and Wolfgang Krüger and the economists Günter Ansorge, Frank Schnöckel and Hans Peter Plettner as a company with limited liability & private limited partnership (GmbH & Co. KG) in April 1986 in Berlin, Germany. The Mental Ray software project started in 1986. The first versions of the rendering software were influenced, tested and used for production by Mental Images' then operating large commercial computer animation division, led by the visual effects supervisors Jo
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A digital image is a numeric representation, normally binary, of a two-dimensional image. Depending on whether the image resolution is fixed, it may be of vector or raster type. By itself, the term "digital image" usually refers to raster images or bitmapped images (as opposed to vector images). Raster Raster images have a infinite set of digital values, called picture elements or pixels. The digital image contains a fixed number of rows and columns of pixels. Pixels are the smallest individual element in an image, holding antiquated values that represent the brightness of a given color at any specific point. Typically, the pixels are stored in computer memory as a raster image or raster map, a two-dimensional array of small integers. These values are often transmitted or stored in a compressed form. Raster images can be created by a variety of input devices and techniques, such as digital cameras, scanners, coordinate-measuring machines, seismographic profiling, airborne radar, and more. They can also be
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Images of Organization is a bestseller book by Gareth Morgan, professor of organizational behavior and industrial relations at the Schulich School of Business at York University in Toronto, which attempts to unveil organization via a number of metaphors. It was first published in 1986. The book particularly describes the organization as (1) machines, (2) organisms, (3) brains, (4) cultures, (5) political systems, (6) psychic prisons, (7) flux and transformation, and (8) instruments of domination. References A review of Images of Organization by Matthew J. Lambert III, Complicity: An International Journal of Complexity and Education Volume 6 (2009), Number 2 • pp. 156–158. External links Images of Organization: Table of Contents
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Adobe Photoshop is a raster graphics editor developed and published by Adobe Inc. for Windows and macOS. It was originally created in 1988 by Thomas and John Knoll. Since then, this software has become the industry standard not only in raster graphics editing, but in digital art as a whole. The software's name has thus become a generic trademark, leading to its usage as a verb (e.g. "to photoshop an image", "photoshopping", and "photoshop contest") although Adobe discourages such use.[4] Photoshop can edit and compose raster images in multiple layers and supports masks, alpha compositing, and several color models including RGB, CMYK, CIELAB, spot color, and duotone. Photoshop uses its own PSD and PSB file formats to support these features. In addition to raster graphics, this software has limited abilities to edit or render text and vector graphics (especially through clipping path for the latter), as well as 3D graphics and video. Its feature set can be expanded by plug-ins; programs developed and distribute
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Glittering Images: A Journey Through Art from Egypt to Star Wars is a 2012 book by American cultural critic Camille Paglia, in which the author discusses notable works of applied and visual art from ancient to modern times. Paglia wrote that she intended it to be a personalized "journey" through art history, focusing on Western works. Paglia writes that she felt inspired to write given that she worries 21st century Americans are overexposed to visual stimulation by the "all-pervasive mass media" and must fight to keep their capacity for contemplation.[1] The book features twenty-nine sections, with glossy full-color illustrations, each focused on a specific piece.[2] Artists detailed include Titian, Manet, Picasso, and Jackson Pollock among others. After its October 16, 2012 release, the book received positive reviews from publications such as The Philadelphia Inquirer and The Wall Street Journal,[2][3] while it also picked up more critical, negative reviews from publications such as The New York Times Book
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Reclining Buddha in Wat Pho, Bangkok A Buddha image in Thailand typically refers to three-dimensional stone, wood, clay, or metal cast images of the Buddha. While there are such figures in all regions where Buddhism is commonly practiced, the appearance, composition and position of the images vary greatly from country to country. The bronze torso statue of the bodhisattva Padmapani, 8th century CE Srivijayan art, Chaiya, Surat Thani, Southern Thailand. Dvaravati period During the Dvaravati period (seventh through eleventh centuries), there were two factions of Buddhism practiced in the region that now encompasses present day Thailand, namely Mahayana and Theravada. The types of images constructed during this era reflects the distinction. Much of the basis for the Buddhist artwork of the Dvaravati period was influence from Buddhist art in India, including the Amaravati and Gupta styles, although there was also local and Khmer influence. Such images include the following classical archetypes: Buddha in
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Photography is the art, application and practice of creating durable images by recording light or other electromagnetic radiation, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication.[1] Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive depending on the purpose
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Andre Keith Braugher (born July 1, 1962) is an American actor. He is most known for his television role as Frank Pembleton on the series Homicide: Life on the Street and its companion television film Homicide: The Movie, as well as his roles as Owen Thoreau Jr. on the television series Men of a Certain Age and Raymond Holt on the sitcom Brooklyn Nine-Nine. Braugher has received two Golden Globe Award nominations and ten Primetime Emmy Award nominations, winning two. In film, he is best known for his supporting roles in many successful films such as Glory (1989), Primal Fear (1996), City of Angels (1998), Frequency (2000), Poseidon (2006), The Mist (2007), Fantastic Four: Rise of the Silver Surfer (2007), and The Gambler (2014). Early life Andre Keith Braugher was born July 1, 1962, in Chicago, Illinois, the youngest of four children born to postal worker Sally and heavy equipment operator Floyd Braugher.[1] He attended St. Ignatius College Prep and graduated from Stanford University with a BA in theatre in
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in England, Wales and Northern Ireland Child pornography laws are covered by the Protection of Children Act 1978 ("the 1978 Act"), which made it illegal to take, make, distribute, show, or possess for the intent of showing or distributing an indecent photograph of someone under the age of 18. The maximum penalty is 10 years in prison. In the context of digital media, saving an indecent image to a computer's hard drive is considered to be "making" the image, as it causes a copy to exist which did not exist before.[1] Indecency is to be interpreted by a jury, who should apply the recognised standards of propriety. The prohibition of content on the Internet that is potentially illegal under this law by British internet service providers is however self-regulatory, coordinated by the non-profit charity Internet Watch Foundation (who has partnerships with many major ISPs in the country). The 1978 Act was extended in 1994 (by the Criminal Justice and Public Order Act 1994) to cover "pseudo-photographs" - images t
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